Dajaz1.com

Even without passing new legislation regulating what Americans can and can’t do on the Web, recently unsealed court records reveal that federal authorities took down a music website for one year without ever filing charges.

A federal court in Los Angeles has released documents relating to a case against a music site, Dajaz1.com, that the US Immigration and Customs Enforcement agency (ICE) took offline back in 2010. At the time, government investigators insisted that the popular hip-hop blog was linking visitors to external pages that hosted unauthorized recordings of copyrighted material that users could download for free. For over a year, the website was rendered unavailable as its administrator became embroiled in a legal debate over alleged infringement charges. Now that a judge has unsealed the “evidence” against the site, it is clear that there was never a case.

What the government did have, however, was a cooperative relationship with the Recording Industry Association of America (RIAA). Under the demand of one of the largest trade organizations in the entertainment industry — that’s coincidently also one of the most powerful lobbying groups in Washington — the US Justice System bowed to the RIAA’s orders to suppress the site’s webmaster for publishing any content without ever being able to charge him with a crime.

At the request of Wired, the Electronic Frontier Foundation and the First Amendment Coalition, a federal judge has released the facts of the case that prosecutors never could get off the ground. Speaking to Wired, EFF Legal Director Cindy Cohn insists that the government’s attempt to ground the blog was merely bought by the RIAA. For 13 months, the judge time and time again granted government agents extensions to try and build a case against the blog, but despite having over a year to effort enough evidence to file charges, neither federal agents nor the RIAA could ever prove that they were in the right.

In the meantime, the website’s owner was essentially stripped of his First Amendment rights.

“Here you have ICE making a seizure, based on the say-so of the record company guys, and getting secret extensions as they wait for their masters, the record companies, for evidence to prosecute,” Cohn tells Wired this week. “This is the RIAA controlling a government investigation and holding it up for a year.”

Andrew Reynolds, an agent with the US Department of Homeland Security, asked US District Judge Margaret Morrow for three separate extensions to build a case against Djaz1 for over a year. In the last insistence, Reynolds wrote that authorities required more time to bring the case to trial because “a sampling of content obtained from the Dajaz1.com website and its purported affiliate websites was submitted for rights holder evaluation and has yet to be returned.”

Reynolds had initially claimed that he had downloaded four unauthorized, copyrighted songs from the blog — but it was the RIAA that actually directed the special agent to the site in hopes of getting it shut down and setting an example. Although the site did end up offline — only to go live again a few months back — it seems as if the only thing that the government was able to prove is that they are willing to work their hardest to appease the Hollywood industry bigwigs that line their pockets.

“The records confirm what was already suggested by the initial affidavit used to obtain the seizure order: that ICE, and its attorneys, are effectively acting as the hired gun of the content industry at taxpayers’ expense,” the EFF says in a statement.

“Instead of relying on rightsholders to determine whether a seizure was appropriate, the government should have been conducting its own thorough investigation. If it had acted in anything like good faith, it could have determined that the site wasn’t a proper target even before the seizure, or at least could have discovered and rectified the mistake before a year had passed.”

Since the late 90s boom of file-sharing services and easily transferable MP3 files, the RIAA has repeatedly tried to take on the Internet by demanding websites be shut down and heavily penalized. When one of the world’s most visited file-sharing sites, Megaupload, went offline earlier this year, hacktivists with the collective Anonymous responded by crippling the RIAA’s official site through a series of attacks.

In a document that circulated online last year during the height of Congress’ fight to pass the Stop Online Piracy Act, or SOPA, advocates for an open Internet argued, “It is often difficult for us average folk to sympathize with the billionaire performers in Hollywood and RIAA/MPAA who claim that we're stealing from them and compromising profit.

“They are correct – it is stealing, plain and simple. However, you don't see blanket legislation that infringes our basic privacy for any other crime, like shoplifting.”

Web surfers did, however, win an impressive battle in America’s court system this week: Judge Gary Brown of the Eastern District of New York ruled this week that copyright holders can not accuse people of infringement based off of their IP addresses alone, essentially making the torrenting of music and other files safe from the broad, blanketing lawsuits launched in recent years by the RIAA and others.

Them belly full (but we hungry)

Na-na-na-na-na-na-na-na-na;
Na-na-na-na-na-na-na-na-na;
Na-na-na-na-na-na-na-na-na;
Na-na-na-na-na-na-na-na-na.

Them belly full but we hungry.
A hungry mob is a angry mob.
A rain a-fall but the dirt it tough;
A pot a-cook but the food no 'nough.
You're gonna dance to JAH music, dance.
We're gonna dance to JAH music, dance.
Forget your troubles and dance.
Forget your sorrow and dance.
Forget your sickness and dance.
Forget your weakness and dance.
Cost of living get so high,
Rich and poor, they start a cry.
Now the weak must get strong.
They say, "Oh, what a tribulation."

Them belly full but we hungry.
A hungry mob is a angry mob.
A rain a-fall but the dirt it tough;
A pot a-cook but the food no 'nough.
We're gonna chuck to JAH music, chuckin'.
We're chuckin' to JAH music, we're chuckin'.

A belly full but them hungry.
A angry mob is a angry mob.
A rain a-fall but the dirt it tough;
A pot a-cook but the food no 'nough.

A angry man is a angry man.
A rain a-fall but the dirt it tough;
A pot a-cook but the food no 'nough.
(Repeat)
A angry mob is a angry mob.

Bob Marley

The New Black

In a first ever musical collaboration between South Africa and Palestine, South African band, The Mavrix, and Palestinian Oud player, Mohammed Omar, have released a music video called "The New Black". The song is taken from The Mavrix' upcoming album,"Pura Vida", due for release in June 2012.

Written and composed by Jeremy Karodia and Ayub Mayet, the song was a musical reaction to the horror of the Gaza Massacre of 2008/2009 and then subsequently inspired by the book "Mornings in Jenin", authored by Susan Abulhawa. Mayet had penned the first lyrics in 2009 after the Massacre and the song went into musical hibernation. Having read the novel, "Mornings in Jenin", he then re-wrote the lyrics and the song evolved into its current version.

Haidar Eid, a Gaza based BDS activist and friend of the band, heard the song in 2011 and urged the band to do a collaboration with Palestinian Oud player, Mohamed Omar. He also suggested that the band do a video highlighting the collaboration between South African and Palestinian musicians and also the similarities in the two struggles.

The song was recorded by The Mavrix in South Africa whilst Mohamed recorded the Oud in Gaza and, although never having had the opportunity to meet, the musical interplay between the musicians so far apart illustrates the empathy the musicians feel in solidarity with each other.

Produced by The Palestinian Solidarity Alliance (South Africa) and the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) along with written endorsements from Haidar Eid of PACBI, Omar Barghouti of the BDS Movement, Ali Abunimah of Electronic Intifada and Susan Abulhawa, author of "Mornings in Jenin", the song represents a message of support from South Africans, who having transgressed and crossed over their own oppression under apartheid, stand in solidarity with Palestinians who are currently experiencing their own oppression under Israeli apartheid


In a first ever musical collaboration between South Africa and Palestine, South African band, The Mavrix, and Palestinian Oud player, Mohammed Omar, have released a music video called "The New Black". The song is taken from The Mavrix' upcoming album,"Pura Vida", due for release in June 2012.

Written and composed by Jeremy Karodia and Ayub Mayet, the song was a musical reaction to the horror of the Gaza Massacre of 2008/2009 and then subsequently inspired by the book "Mornings in Jenin", authored by Susan Abulhawa. Mayet had penned the first lyrics in 2009 after the Massacre and the song went into musical hibernation. Having read the novel, "Mornings in Jenin", he then re-wrote the lyrics and the song evolved into its current version.

Haidar Eid, a Gaza based BDS activist and friend of the band, heard the song in 2011 and urged the band to do a collaboration with Palestinian Oud player, Mohamed Omar. He also suggested that the band do a video highlighting the collaboration between South African and Palestinian musicians and also the similarities in the two struggles.

The song was recorded by The Mavrix in South Africa whilst Mohamed recorded the Oud in Gaza and, although never having had the opportunity to meet, the musical interplay between the musicians so far apart illustrates the empathy the musicians feel in solidarity with each other.

Produced by The Palestinian Solidarity Alliance (South Africa) and the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) along with written endorsements from Haidar Eid of PACBI, Omar Barghouti of the BDS Movement, Ali Abunimah of Electronic Intifada and Susan Abulhawa, author of "Mornings in Jenin", the song represents a message of support from South Africans, who having transgressed and crossed over their own oppression under apartheid, stand in solidarity with Palestinians who are currently experiencing their own oppression under Israeli apartheid.



The video shows a soldier aim and fire his weapon at a Palestinian man's legs

An Israeli human rights group has released a video that shows an Israeli soldier shooting a blindfolded Palestinian man with a rubber coated steel bullet at close range.

The video shows a Palestinian man, whom BTselem named as Ashraf Abu Rahma, handcuffed and blindfolded standing by a group of Israeli soldiers.

One soldier aims his weapon at the Abu Rahma's legs, from about 1.5 metres away, and appears to fire at him.

Rise Against

the song, "Hero of War," by Rise Against. The Chicago-based punk band’s Tim McIlrath sang the antiwar song for protesters outside the NATO Summit in Chicago earlier this month. It tells the story of an Iraq war veteran reflecting on his experiences while serving in the military. "I kicked in the door, I yelled my commands. The children, they cried, but I got my man. We took him away, a bag over his face, from his family and his friends," McIlrath sings. The video for the song has been viewed more than 13 million times online.